IT'S - Chapter 8
  
  "This Space Intentionally Left Blank" 
  - (John Shea)
  
  He came, he saw, he dreamt. The nightmares continued. Each morning he
  would see his green face looking back at him from the monitors at work.
  Most of the time, the face was grinning. Only, he wasn't
  grinning at the time. Strange things were afoot in the nether worlds of
  the net.
   
  Shadows, too many damn shadows . . . but always those two 
  yellow lights steadily piercing the darkness. And the 
  whispers . . . its . . . its . . . 
  Its . . . Its . . . ITs . . . 
  ITs . . . ITS . . . ITS . . . 
  IT'S . . . sometimes it was the "its," but mostly it 
  was the ellipses that drove him to screaming. And then he would wake 
  up.
   
  "You started a sentence with 'And,'" a hissing voice would 
  whisper and fade away. He panted in full sweat. It wasn't the humidity of
  the Texas dawn; it was the perspiration of fear which was getting to 
  him.
   
  "'That'" and then a giggle and it was gone again.
   
  Johnny got up. Now, why did he use "Johnny"? He hadn't used 
  "Johnny" since the days of The Winners Club.
   "Don't forget the trademark symbol."
   
  "Shut up and leave me ALONE!" John shouted. Now he was 
  awake.
   
  Trademark symbols . . . Winners Club. It was coming back to 
  him. Summary of Amendments! He wished these nightmares would 
  stop.
   
  Tonight's had been about driving to his aunt's house in Copperas Cove,
  Texas. He'd been pulled over for speeding in Harley Heights. The trooper
  got out of the cruiser and came forward, wearing a natty tweed jacket,
  red frizzy hair, and a red clown nose. Somehow he looked familiar.
  Harley Heights was a known speed trap, and he'd been caught there
  before. He tried to avoid it on later trips to Copperas Cove, but for
  some reason he felt he had to go through it this time. As the trooper
  ripped off the pink ticket, a large spider went by on a motorcycle. He
  looked in the rearview mirror, and the cruiser and clown trooper were
  gone. And then he saw his own green face staring back again.
   
  "You used 'AND' at the beginning of a sentence again! But I'll excuse
  you, because it adds closure," the voice said.
   
  "And you used 'But' at the beginning of a sentence, so we're 
  even," John said back.
   "Drat," the voice said.
   
  The voice does have a weakness. It was starting to slip. John was making
  progress with the self-introspective meditation therapy. If he could
  find one chink in IT'S armor, maybe he could find another. Maybe turn it
  against itself. Maybe the nightmares could end and he could get a decent
  night's sleep. He could manage to get a decent day's sleep, but the
  nights were restless.
   
  He swung his feet over the bedside and went to the kitchen. The James
  Michener method had to begin. Get up, get breakfast, write like hell for
  five hours, and then have lunch. Afternoons were for research, evenings
  for rest and reflection, late evening for prep work and Leno's
  monologue.
   
  Once, he'd been a technical writer. Once, he'd been an Information
  Developer. Once, he'd worked for IBM somewhere in the Dallas area. But
  They killed off J. R. Ewing; They made Kuzak leave; and somehow They
  suggested now might be the time to run. So, he did.
   
  He had finally crossed the line from being a technical writer to being a
  fledgling fiction writer. And the words flowed well. (Don't say it. I
  used "And" for creative license.) It didn't matter that he 
  didn't have an agent or a publisher yet; he'd cross that "t" 
  when he got to it.
   
  Sighing, he began tapping away on his manual Galaxie Twelve typewriter.
  He missed the quick turnaround of laser printers. It was a sacrifice he
  made for MarketDrivenQuality and peace of mind. However, most of all he
  missed the contact with people and mostest (sic) of all, he missed the
  contact with the network, especially The Winners Club. Lately, the only
  contact he had was Danny, who would infrequently call him, ask him how
  the novel was coming, and badger him to complete the last assignment
  Danny had given out to the rest of The Winners Club.
   
  Tap tap tap the keys were almost in sync with the tap tap tap of high
  heels on concrete. The ladies of the complex were walking their dogs
  before they went off to work. How could anyone wear shoulder pads in a
  T-shirt? Fashion to the extreme.
   
  The diversions were many. NPR broadcasts, Regis, and 
  Donahue . . . if he could just concentrate long enough on his 
  present stream of thought . . . stream of thought and Paula 
  Abdul and reverse waterfalls. That was it. He flicked off the TV with the
  remote control. He would try to hold out until noon when "Hogan's 
  Heroes" came on or maybe longer until 3 when "Jeopardy" was
  on. Ricardo was competing, and he didn't want to miss his 
  appearance.
   
  Danny had called again last night. He said Delores was having visions.
  Something about a subway and yellow lights. Danny was in D.C. Delores
  was there, too. Danny, he'd last seen over Chinese one dreary afternoon;
  Delores, last year at a banquet somewhere in New York in a blizzard.
  They were now on their way to Boulder. Why were they both there? Were
  they there for a reason? Questions questions questions.
   "Rambling prose."
   "So?" John asked. He didn't get an answer.
   
  He blinked. His eyes were blurring again. His right arm was starting to
  hurt, to throb, also. Damn Thoracic Outlet Syndrome; the Operation was
  supposed to take care of that. He blamed the eye blur on all the reading
  for research he was doing. The arm was probably a reaction to all the
  typing he was doing. Too much all at once.
   
  "Too much of a good thing. Perhaps you should take some time 
  off."
   
  There it was again. He glanced down at his fingers. The callouses were
  starting to peel again.
   
  "'Again' 'again' 'again.' Can't you use better and more varied 
  simile?"
   
  "When are you going to leave me alone?" John said to thin air. 
  "I thought we were rid of you long ago." Yes, he did recognize 
  the voice now.
   
  It had to be her -- she! Nasty old Miss Thistlebottom. He recognized her
  cheap perfume mixed with chalkdust and greasepaint. It coudn't be,
  though. They, The Winners Club, had eradicated her from the face of
  Boulder long ago deep in the sewers that summer. And the 1935
  silver-bound edition of Strunk and White had seen to that.
   
  "It was only early retirement. I'm back to help you. You've taken 
  early retirement. Join me and I'll show you the pleasures of freelancing,
  of litotes and simile and oxymoron and all the parts of speech and grammar
  you can sink your teeth into."
   
  A single face appeared on the still-warm TV set. It was the face of an
  older woman, wearing wire-rimmed spectacles.
   
  "You're ending a sentence with a preposition," John scolded in 
  a singsong voice.
   
  "So, I make mistakes," Miss T. said. "That's why I need 
  you. You can give me strength, you can edit my work, you can be my 
  bestest pal."
   
  "'Bestest'? Gee, you are slipping. . . . You
  made us memorize
   
  'Good, better, best           
  Never let it rest             
  Until your good is better     
  And your better best.'" 
   
  "Superlatives were never my strong point. That's why I need someone
  like you . . . someone to watch over me." Violins filled 
  the background with a slick Mantovani track echo. "You can't live on
  oatmeal cookies forever."
   
  Oh, so, going for the personal side, was she? Two can play at that game,
  John thought.
   
  "Don't play games with me, Miss T. I know what you really are,"
  John said. "You're a hack grammarian, cold, ruthless, a 
  dagger-toothed beast." He did remember! He did! It was all coming 
  back to him.
   
  "Of course, you do," Miss T said from the TV, her image shifting 
  from the elder woman to static to a clown face surrounded by balloons.
  "Since you left the company, you see things differently. You're in a
  new and different reality. You're out in the real world. My 
  world."
   
  "Reality has nothing to do with it," he said. "I create my
  own. And I'm doing quite well without your help, thank you."
   
  "You could do so much better with my . . . 
  assistance." The clown had yellow eyes now. "Wouldn't you like 
  to float?"
   
  Float? Yes . . . he remembered . . . deep down in the 
  dark dripping dell, floating freely
   fantasizing. . . .
   
  "Ahem. Alliteration needs some work," Miss T said. The yellow 
  eyes were getting brighter, not bigger, just brighter while the rest of 
  her began to fade away like the Chesire Cat. "It's lonely 
  here," she whimpered.  "Play Misty for me."
   
  "Tell me about it," John said. He could sympathize for once. 
  "You don't float. You sink. And then you blink. . . . 
  I know the truth."
   "Then come set me free," she said.
   
  "You want to be free? Don't wallow in your own evil pisspure pity. 
  Come out into the light." John got a grip on himself and reached for
  another sheet of erasable paper. He was growing tired of this conversation
  and was getting behind in his writing schedule. He typed away for five
  minutes without interruption.
   "Show me the way, 
  Johnny. . . ."
   
  He turned to the TV. "You want the way? Then, blink. You can get 
  from float to blink, can't you? It's easy. FLOAT, BLOAT, BLEAT, BLEAK, 
  BLENK, BLINK!" He paused and caught his breath. It was coming out in
  sharp rasps. "And don't call me 'Johnny'!"
   "Blenk?"
   
  He threw a copy of Strunk and White at the TV screen. The yellow lights
  blinked and went out.
   
  There, that was much better. Now he could get some real work done. You
  just had to be firm with these hallucinations. Now, if he could just get
  his characters in his novel to start speaking to him.
   
  "You want characters to speak to you? Well, listen to 
  this--!"
   
  He could hear cocoanut shells being clopped together and a horse
  neighing. The clops got louder. He looked up and all he could see were
  yellow lights coming toward him. He flailed his arms, but it was too
  late. The last thing he remembered was a voice saying, "I need you 
  and I need you NOW!"
   
  He didn't even notice the horse turn into the wolf before it started
  shredding his typewriter and couch pillows. . . .
   * * * *  
  
  Lt. Forest Owen of the Boulder Police Department ripped off the fax from
  the National Crime Desk. Another weird death, this time in Irving,
  Texas, and again pointing to Boulder. Add it to the aspen-leaf murders,
  the pepperoni murder, the flying rocks murder, even the recent subway
  fatality in D.C. Each had a weird M.O. and each pointed to 
  Boulder.
   
  Weird. Victim appeared to commit suicide by paper cuts, but it was too
  clean, too neat. Other anomalies: videotape strewn about, but the papers
  all in neat piles with grammar mistakes circled in red, crisp circles.
  Only, the circles were blood. And then, The Winners Club T-shirt hanging
  from the TV rabbit ears. The TV itself had three letters scrawled in
  blood on the screen: V - T - P. What did it all mean?
   
  Every 27.2 years another string of murders against Boulder children
  started again. Much like the cycle of renewed sit-com plots.
   
  Perhaps it was time he called on Dan Culberson. If he had been old
  enough, he'd have been a reviewer the last time the cycle came. Maybe
  Danny could shed some light on the new fall lineup.
   * * * *  
  
  Danny put the phone back on the receiver. He turned and faced what was
  left of The Winners Club.
   
  "That was Lt. F.O. It looks as if Johnny won't be making the 
  reunion."
    
  
               Table of Contents  - 
             Chapter 7          - 
             Top of Page        - 
             Chapter 9          -  
   Off The Wall       - 
             Callahan's Saloon   |